Sarvenaz Tash

“Respect yourself,” she says. “Respect, and perhaps, one day, even love yourself. It’s the most radical decision you can make.” 

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Respect yourself. Love yourself. As radical a decision for an American girl to make today as it was in 1927, as radical for a student as for a spy, for a printer’s apprentice or a poker player. It’s a radical decision when you’re balancing on the tightrope of being a second-generation immigrant, of neurodivergence, of facing down American racism while loving America. It’s the only decision when you’ve weighed society’s expectations and found them wanting. 

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With respect and love, twelve of the most talented writers working in young adult literature today —an impressive sisterhood that includes Marieke Nijkamp, Meg Medina, and Anna-Marie McLemore — have created a century and a half of heroines on the margins and in the intersections, young women of all colors and creeds standing up for themselves and their beliefs. They are ignoring their mothers’ well-meant advice and forging their own paths — whether secretly learning Hebrew in early Savannah, using the family magic to pass as white in 1920s Hollywood, or singing in a feminist punk band in 1980s Boston. And they’re asking you to join them.